THE FUNDAMENTALS OF MUSIC
Pitch: Notation and Intervals
Tonality: Scales, Keys, and Transposition
Introduction to Species Counterpoint
The Rudiments of Harmony I: Triads and Seventh Chords
The Rudiments of Harmony II: Labeling Chords
The Tonic and Dominant Triads in Root Position
Harmonic Function; the Subdominant Triad in Root Position
Texture; Triads in First Inversion
Melodic Organization I: Phrase Structure
Melodic Organization II: Thematic Development; Phrase Extension; Formal Functions
The Supertonic; Metric Reduction
Harmonic Rhythm. Hypermeter
The Dominant Seventh and Its Inversions
The Mediant, Submediant, and Subtonic Triads; Diatonic Sequences
Other Diatonic Seventh Chords
Application: Diatonic Harmony in Context; Diatonic Functions and Performance
CHROMATIC HARMONY AND FORM
Secondary Leading-Tone Chords
Modulation to Closely-Related Keys
Small Forms: Binary and Ternary
Modal Mixture. Variation Forms
The Neapolitan and Augmented Sixth Chords
Chromatic Modulatory Techniques; Modulation to Distantly Related Keys
Introduction to Large Forms
Expanding Functional Tonality: Extended Tertian Chords; Linear Chromaticism II
The German Romantic Lied: Chromatic Harmony in Context
29 Toward (And Beyond) the Limits of Functional Tonality
Non-Functional Pitch Centricity.
