Anxiety muted: American film music in a suburban age

A survey of history, themes, and trends / Stanley C. Pelkey II

Music and mimicry in Sunset Boulevard (1950) / Christina Gier

Who's who in Hadleyville : the civic voice in High noon (1952) / Anthony Bushard

Anxieties of accuracy : Miklós Rózsa's score for Quo vadis (1951) / Linda K. Schubert

"Whatever will be, will be" : gender equality and the music of Alfred Hitchcock's The man who knew too much (1956) / Joshua Neumann

Music, maturity, and the moral geography in Leave it to Beaver (1957-1963) / Stanley C. Pelkey II

The whole truth : music as truth in The twilight zone (1959-1964) / Reba Wissner

"Living in harmony"? : American music and individualism in The prisoner (1967-1968) / Joanna Smolko and Tim Smolko

The sound of disability : music, the obsessive avenger, and eugenics in America / Meghan Schrader

Masculinity, race, and the blues in the bizpic Cadillac records (2008) / Jesse Schlotterbeck

Comin' back to the sixties : mobilizing music and performing politics, 1988-1990 / Christopher D. Stone

Late-adolescence in the American sixties : "The twist" and the twentysomethings in AMC's Mad men (2007- ) / Samantha London

Musically recreating the fifties in Far from heaven (2002) / Mariana Whitmer

The very essence of tragic reality : Aaron Copland and Thomas Newman's suburban scoring / Anthony Bushard.