Victorian art criticism and the woman writer

Encouraging visual literacy : early-Victorian state sponsorship of the arts and the growing need for expert art commentary

"Mere outward appearances"? Teaching household taste and social perception in Elizabeth Gaskell's North and south and contemporary art commentary

"My name is the right one" : Lady Elizabeth (Rigby) Eastlake and the story of professional art criticism

"I have often wished in vain for another's judgment" : modeling ideal aesthetic commentary in Anne Brontë's The tenant of Wildfell Hall

A new kind of elitism? Art criticism and mid-Victorian exhibitions

Interpreting Cleopatra : aesthetic guidance in Charlotte Brontë's Villette and George Eliot's Middlemarch

Sensational sentiments : impressionism and the protection of difficulty in late-Victorian art criticism

Conclusion : "An astonishingly tasteless idea"? Artistic value after September 11.